Top 10 tips for Cold Reading (click me)

Top 10 Monologue Tips

Every actor hates auditions. It’s the most awkward feeling standing up there in front of one or several strangers and pouring your heart out for a role, knowing that you’re only one of 50 people doing it. Sometimes in the auditioning process though, you don’t have to feel quite so awkward. You won’t be simply ‘one of 50.’ You can be unique. That time is when you’re allowed to do a monologue.

This is a rare opportunity to actually make the choice yourself on exactly what you’ll be portraying to the producer, director, casting director or whomever you happen to be auditioning to. Here are some crucial tips for choosing and presenting your monologue. These monologue tips will help you land the role.

1. Choose your monologue carefully.

You have tons of time to choose the monologue. In a cold read, you may have 15 minutes to prepare for an audition, you may have five. You may even get lucky and have an hour or a day, although this is not common. With a monologue however, you have all the time in the world. You can take days, weeks or even months searching for the right one. Then you can take just as long learning it and making it a part of you. A good monologue will allow you to portray a wide array of emotions: happiness, sadness, anger, guilt, etc. Choose one that not only complements you and your abilities, but allows you to really lay it on the line.

2. Give it some gusto!

Have energy in the presentation of your monologue. Too much energy can be irritating, but you won’t find any producer or director who thinks that not enough energy is better than too much. Having to tone it down is better than having to step it up a notch, so give it your all. That having been said, keep the energy up, but the volume appropriate. Sometimes you’ll be auditioning on a huge stage and at others you’ll be auditioning in someone’s office. Even for the ‘loud parts’ you need to keep the volume appropriate to the venue.  TAKE A RISK, do something totally original no one else might do, the director will remember those that take risks!

3. Move around!

Whether you’re on a stage or in a smaller setting, you need to be able to move around. How many people do you know in real life who plant their feet in one spot and stay there for a minute or two without moving while they’re shifting from sadness to happiness to anger, etc.? None! When you’re emotional, you move, and that needs to be reflected in your monologue. If there’s a part where you need to sit in a chair, fine, but do NOT sit down for the entire monologue. You need to be mobile. Again, keep in mind that they’ll probably be seeing 50 other people today. Don’t be boring.

4. Face the people you’re auditioning to.

Don’t face the side wall and give them your profile. If you follow tip number three, you’ll obviously be moving around, but keep your focus forward, toward those you’re presenting to.

5. Don’t audition to one person if there is more than one person in the room.

Even if the monologue is intended for one person, which most are, don’t ignore anyone. It’s all too common for an actor during a monologue to hyperfocus on one person and give their monologue to that person. Don’t do this! It will make that person uncomfortable and the others in the room feel ignored. Neither is a good thing. Instead of talking to one person, give the monologue as if you’re talking to a group of friends rather than one. Make eye contact with each of them, or at the very least, don’t focus on one of them. Feel free to look very close to them without actually making eye contact. You’re not supposed to be acting WITH them, but TO them. You don’t want them to be part of the performance. This is your time.

6. Get up close and personal.

I don’t mean to get in the auditioner’s face so they can smell your breath, but don’t get too far back either. They need to be able to clearly see your face and the emotions you portray. This is especially important on a large stage setting where you can move around quite a bit.

7. Keep it fresh!

You don’t want to choose a monologue that they’ve already heard 20 times. This is an invitation for them to directly compare you to others who have come before. For your monologue, you need to be both modern and unique. Don’t choose a piece that’s out-of-date and don’t choose one that they’re likely to have heard others do.

8. If you mess up, keep going!

You’ve picked something fresh, remember? That means that they don’t have these lines memorized. If you flub up, just keep going and stay in character. They won’t even know you messed up. People in real life mess up when they’re talking, so if you keep going, they’ll think you’re just a great actor and that was part of the act. Above all, never EVER apologize! I mean never! Act as if everything went exactly as planned. They won’t know the difference and they don’t want to.

9. Be a professional!

Be sure you know all the rules and guidelines for the audition.  Prepare yourself for the audition.  The better you prepare the better chance you will have to get the role you want.  If you have any questions on how to prepare ask Mr. Doggett

10. Know when to say when.

There are two words that will always come out of the mouths of the people auditioning you: thank you. They’re not just being polite. In ‘audition speak’ those words actually mean ‘we’re done’ in a polite way. Once they say that, don’t waste any more of their time. It doesn’t mean they hate you and it doesn’t mean they love you, it just means the audition is over. They’re busy and that’s their cue to you that it’s time to move along. Thank them and head out the door with your shoulders high and a smile on your face.

These monologue tips cover the most important aspects of monologue choice and execution, as well as pointing out the most common mistakes made by actors of all levels. Take them to heart! As a person who used to be the auditionee and now is the auditioner, I can tell you that following these tips can make or break you chances at getting that part.
 

Top Ten Tips for Cold Reading:

Top Ten Tips for Cold Reading:

Thanks Ethan for your request for some tips on cold reading, hope this helps you and everybody else!

ONE: TRAIN FOR IT
More and more auditions involve cold readings of monologues or dialogues.
It’s something you’re going to spend a lot of time doing. For that reason, you need to prepare for it. But what preparation can you do? You can cold read a ton of things at home, pick up anything and practice cold reading it, the tv guide, a novel, a play, the bible, it doesn’t matter, just practice picking up things and reading them outloud.

TWO: SLOW DOWN
People tend to garble when they’re nervous, they speak really really fast and it damages their audition because no one can understand them. Whilst the panel will expect you to be nervous, speaking too quickly will kill your articulation.

THREE: RAPID ANALYSIS
Make an analysis of the scene as quickly as you can. What does the character want the other character to do as a result of hearing your words? If you can answer even this question, you will give yourself a tone for the scene based on context. If you have time to work out an Essential Action for your character in the scene, such as ‘To bring someone down a peg or two’ or ‘To get someone to crown me Queen’, or ‘To get what I deserve’ – you’ll have something strong to act in your scene, not just the words.

FOUR: WARM UP
If you can, do a quick warm up before you start (obviously not in view of the panel). So before they bring you in, have a good stretch, do some spinal rolls, have a few good deep breaths through your mouth to slow down your heart beat and make yourself more comfortable. Warm your mouth up with a couple of tongue twisters to prevent yourself from getting tongue-tied in the audition.

FIVE: LEARN TO READ SENTENCES NOT WORDS
One of the keys to cold reading is the ability to take in a sentence at a glance, and then while you are acting that line, you scan ahead to see the next line. This is not easy, so practice it as part of your regular cold reading practice. Speak one line, scan ahead to the next.

SIX: LINE LEARNING?
I’ve heard some people advise cold readers to try to learn the script quickly. NONSENSE, you’re going to end up confused, stuck half in memory, half trying to act in the moment. Don’t even think about it – unless they give you a couple of hours!

SEVEN: READ
Spend your time that you have with the script reading it over and over, don’t work out how you’re going to say the lines, just read it over and over until you’re comfortable with it, until you just have a feel for it and the words are easy with you. This will help you live in the moment when the audition comes.

EIGHT: RESEARCH
If you know what show they are doing, read the play in advance. Mr. Doggett will have copies of the script for you to check out and read he will also have copies of the scenes that will be read in the audition.  Actors how read the play and scene ahead of a cold reading audition will have a HUGE advantage over actors who do not and a leg up on getting the role of their chocie.

NINE: PLEASANT IN AND OUT
Walk in with a big natural smile, and say hello if they are looking at you. Again, when they’re done with you, regardless of how you felt you’ve done, just give a big lovely smile and say ‘thanks’ or ‘thank you very much’. Being lovely is something to cultivate, there are too many prima donnas still.

TEN: LISTEN VERY CAREFULLY
You’re going to be nervous and cold reading auditions are fairly fraught experiences. So remember to listen carefully to any instructions that you get before or during the audition. Listen to the director carefully and speak clearly yourself.